Narva

A post-industrial district on the border between Estonia and Russia

Narva

The Narva Pilot comprises the city of Narva and the post-industrial Kreenholm district. The site is located in the Ida-Viru region in the north-east Estonia, on the border with Russia. Kreenholm was a textile manufacturing company located on the island of Kreenholm in Narva.

Founded in mid-19th century, the industry grew significantly during the Soviet regime. The collapse of Soviet Union and the global shift of textile industries left many vacant spaces in the Kreenholm district (about 30 ha), which is now part of Narva’s high-value cultural heritage.

Over 90% of Narva’s residents are Russian speaking, which sets cultural tourism against a backdrop of minority dynamics and memory, and of a mixed sense of belonging and shifting geopolitics.

During the TExTOUR project, Narva achieved the following objectives:

  • Understanding the heritage value and potential through stakeholder engagement activities
  • Organising living-lab events that combine film, augmented reality and design.
  • Promoting cultural tourism through better use of (or new) Kreenholm’s infrastructure and socio-cultural capacities
  • Positioning and enrolling of Narva Kreenholm complex and Narva city as an important post-industrial heritage and cultural tourism node in trans-regional and international platforms

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Reinventing tourism facing Russian boycott: Narva on the edge

Bordering Russia, Narva is an Estonian city of some 50,000 inhabitants in the extreme northeast of the country. Lying halfway between Tallinn and Saint Petersburg, it historically relied on strong ties with Russia. Yet, since the annexation of Crimea and especially the invasion of Ukraine, Russians have snubbed it, thus dealing a severe blow to the city's economy. Recently stressed by a conference on cultural management, targeting Western visitors and increasing the attractiveness of its region are now the main priorities to revive Narva’s tourist sector.

Pilots

Eight diverse and complementary “cultural tourism” areas allowed us to test a wide range of scenarios: inland and coastal, rural and urban, and remote.